adana
07-23-2012, 12:01 PM
Hi all,
I've been doing some work for a new customer that involves some complicated masking shapes: patterns on longboard decks, kinda fun. I got excited when I learned I could apply Oramask to the workpiece (baltic birch ply), then cut the masking in place using the Cricut drag knife (see other thread). Peel away the unwanted parts, burnish the edges of the remaining masking, and voila! Ready for staining (dye, actually, for reduced bleed) and finishing.
But there are problems:
1. workpiece flatness: the Cricut knife isn't spring loaded and doesn't tolerate a lot of Z variation on the workpiece. I'm not currently using vacuum holddown, but I intend to be soon. Hopefully that will help hold the wood flatter?
2. grain tearing: the Oramask is pretty sticky, and develops a stronger grip the longer it's been on the wood. I'm handing these parts off to someone else for finishing, so it's sometimes a couple of weeks before they get sprayed and the masking is removed. The birch is especially bad about having long threads torn away at this point. It doesn't look good at all.
So, solutions...
- Should I cut the masking separately, directly on my sacrificial board, and then apply it with some kind of a transfer? But these are large parts - 48" x 15" - and I wonder how accurately the masking could be applied. Even 1/16" off would look crummy.
- Are there masking products that will tear the birch less, and be okay when left on the wood for a week or more? And, optimally, less expensive? That stuff is pricey but comes well-recommended from this or the Vectric forum, I forget.
- Is there a surface pre-treatment that will reduce the tendency to tear while still letting the dye work? I'd rather not have to do something like this.
This is a new thing for me; any advice would be awesome.
Thanks,
Adan
I've been doing some work for a new customer that involves some complicated masking shapes: patterns on longboard decks, kinda fun. I got excited when I learned I could apply Oramask to the workpiece (baltic birch ply), then cut the masking in place using the Cricut drag knife (see other thread). Peel away the unwanted parts, burnish the edges of the remaining masking, and voila! Ready for staining (dye, actually, for reduced bleed) and finishing.
But there are problems:
1. workpiece flatness: the Cricut knife isn't spring loaded and doesn't tolerate a lot of Z variation on the workpiece. I'm not currently using vacuum holddown, but I intend to be soon. Hopefully that will help hold the wood flatter?
2. grain tearing: the Oramask is pretty sticky, and develops a stronger grip the longer it's been on the wood. I'm handing these parts off to someone else for finishing, so it's sometimes a couple of weeks before they get sprayed and the masking is removed. The birch is especially bad about having long threads torn away at this point. It doesn't look good at all.
So, solutions...
- Should I cut the masking separately, directly on my sacrificial board, and then apply it with some kind of a transfer? But these are large parts - 48" x 15" - and I wonder how accurately the masking could be applied. Even 1/16" off would look crummy.
- Are there masking products that will tear the birch less, and be okay when left on the wood for a week or more? And, optimally, less expensive? That stuff is pricey but comes well-recommended from this or the Vectric forum, I forget.
- Is there a surface pre-treatment that will reduce the tendency to tear while still letting the dye work? I'd rather not have to do something like this.
This is a new thing for me; any advice would be awesome.
Thanks,
Adan